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Design: Venti Caratteruzzi
Web: StudioBottoni | Giacomo Sciommeri
Alessandro Scarlatti (Vocal Chamber Music, 12) XLIV, 84 pp.; 21 x 29 cm Alessandro Scarlatti (1660-1725) was a most popular and influential Baroque Italian composer. His large body of works encompasses all genres, from opera to instrumental music, from liturgical music to oratorios, to chamber cantatas, the field he was most prolific in. Hundreds of manuscript sources bearing his name have come to us, mostly commissioned by such noble Roman patrons as Christina, Queen of Sweden, and Cardinals Pietro Ottoboni, Francesco Maria Ruspoli, and Benedetto Pamphilj, or traceable to Scarlatti’s work for the Naples royal court. This scholarly edition has three cantatas with lyrics on Orpheus and Eurydice, namely, Poiché riseppe Orfeo, , and Del lagrimoso lido (“Euridice dall’inferno”), and Dall’oscura magion dell’arsa Dite (“L’Orfeo”), all of them typical examples of Scarlatti’s cantatas and, more generally, of the way the Orpheus myth entered this genre in Italy. - Poiché riseppe Orfeo, soprano and basso continuo Giacomo Sciommeri got his master's degree in "Musicology and Musical Heritage", and his PhD in "Cultural Heritage and Territory" at the Tor Vergata University, Rome. He received his 2nd level diploma in “Historical, Critical and Analytical Musicology” from the S. Cecilia Conservatory of Rome. He is a scientific committee member of the Istituto Italiano per la Storia della Musica, the secretary of the Centro Studi sulla Cantata Italiana, and a coordinator of the "Clori. Archivio della cantata italiana" international project. Currently, he is Researcher of "Musicology and Music History" at the Tor Vergata University, Rome. His main research interests are Italian chamber cantata and digital musicology, subjects on which he has published several essays, critical editions, and monographs. Digital Edition (Support SEdM) Paper Edition (on demand: www.liberdomus.it) |